remastered by vangelis, pressed on 180gr heavyweight vinyl

debut release on the new kaleidoscope jazz chair reissues label. first release contains some beautiful and well crafted dubbed out techno by kit clayton with his 1998 deadlock tune originally released as the b2 on the 4-track unreliable networks ep (on silent servant s label cytrax ), it slipped under many a record buyer s radar. nearly 20 years later, now that electronic musical tastes have matured and expanded, the time seemed right to re-present, this lush, atmospheric, percussive work out to the heads, deservedly pressed on a full side of 12- vinyl. pussy clap was originally released on the remote label, set up by charles webster, and featured house music predominantly written by charles and neil tolliday, better known as nail. jorge felucca was the alias that neil used when creating the more dubbed out, techy tracks for the label. sounding somewhat like a deep house take on maurizio, pussy clap was also released in 98, but had since fallen into obscurity, and the time had come for it to be rejuvenated and polished with an amazing remaster by pole for the modern ear that is a dramatic improvement on the original

repress! this compilation is his second for bbe. few can match john morales contribution to the world of the enthusiast turned remixer come producer. john morales is considered one of true legends of the mix. and his work some thirty years later continues to be cutting wedge and inspiring. although familiar with john s work - his epic mix of universal robot bands boogie anthem is the source from which bbe records got its name - no attempt had been made to summarise the pinnacle of john s work. this second release is continued history lesson in dance music. he formed with the late sergio munzibai, m+m productions whose output of over 650 mixes will be unmatched by many celebrity big name remixers of today.

celestial being visited nairobi at the end of august and beginning of september 2012 where he worked with local musicians to create celestial music. kenge kenge brought cow horns and hand made drums and were joined by local folk singers olith, who had come to nairobi through making music with king kong and irungu with his father who has since passed. when asked what the kenge groove sounded like, the receptionist prisca said its like the angel is coming before proceeding to provide additional vocals for all three tracks. nairobi story tells of an ancient village story passed down as a folk song to the present generation. celestial being kept forgetting whether olith was male or female and ending up making a song with him called all woman. this is currently a vinyl only release

repress! this compilation is his second for bbe. few can match john morales contribution to the world of the enthusiast turned remixer come producer. john morales is considered one of true legends of the mix. and his work some thirty years later continues to be cutting wedge and inspiring. although familiar with john s work - his epic mix of universal robot bands boogie anthem is the source from which bbe records got its name - no attempt had been made to summarise the pinnacle of john s work. this second release is continued history lesson in dance music. he formed with the late sergio munzibai, m+m productions whose output of over 650 mixes will be unmatched by many celebrity big name remixers of today.

no light at the end of the tunnel. no helping hand to pull you out of the hole. no second chances. no god to cure this deadly disease. no heaven to save your soul after your final seconds... hope will hold on, but in the end, death shall claim it. all this, we understand a little more, day by day. we will experience our absolute zero, and the stages of life that come as close. we think that we will never recover and that we are not strong enough to fight against it. our immaculate, peaceful souls, that we begin our lives with, start to bleed, and slowly get torn into, bit by bit by the cold hard truth that breaks our protective walls. we learn to handle and accept this even as pieces of us shatter and die every time a little bit more inside us. to give light, we must endure burning. but what if everything we are able to burn is gone? there is no other way... we are falling apart a bit more, every day... dedicated to this state of mind.

the new albion ep on macadam mambo is ready! for those who had followed the previous releases you wont be disappointed by this new selection of obscure crazy cuts, in the continuation of * the pyramids*… lets stay in orbit!

an obscure tape release discovery by red light radio founder and close friend of the label, orpheu de jong, led to music from memorys latest release. this two track 12inch highlights the work of electronic music pioneer joel graham, a san francisco based artist who self released two cassettes in 1984/85. originally recorded and performed live on pre-midi analogue equipment in 1982 as an outline for a live performance, these visionary tracks provoke much of the same sensibilities found in both contemporary dance music as well as in works of more established vanguard artists of the time. slowly unravelling and deeply hypnotic, joel grahams music seems to manifest a doorway to a profound new world and can be seen as a forerunner of what was to come in electronic music.

vanta series is the new series for killekill s dancefloor music. the releases come in series, every series comes with a theme and one artwork which is being split in several parts to go with each release. the first series is called -the end is near- and features four records. it comes with an artwork by french visual artist elzo durt. the second record is coming from kamikaze space programme, who delivers three types of tracks:&#8232, type 1 – a nervous piece of bells, percussion and bass&#8232, type 2 – a minimalistic techno night drive&#8232, type 3 – a spacious futuristic soundscape&#8232, type 3 comes with a remix by joefarr, who added some drama to the original and therewith created a proper hit for the darker hours.

keeping up their regular and on point release schedule, french outlet d3 elements now looks to a dj and producer from the southside of chicago. ellery cowles has been making unique house sounds since the mid 1990s as well as being a respected dj who is revered across the states. his music has come solo as well as in collaboration with the legendary likes of ron maney, roy davis jr and brian harden and cowles has released on labels like dafunk, hybrid and hizou deep rooted music.

die aus los angeles, ca stammende band orgy machte mit ihrem multimillionsellern candyass und vapor transmission erstmals zu beginn des milleniums von sich reden. das debütalbum verkaufte weltweit über 2 millionen und lieferte mit der coverversion des new order klassikers blue monday einen weltweiten hit. das dritte album der band punk static paranoia lieferte die band erstmals über ihr eigenes label d1 music aus und erreichte platz 11 der us billboard charts mit über 280.000 verkauften einheiten. nach einer fast 7-jährigen pause meldet sich die band jetzt mit ihrem neuen album talk sick zurück, welches die band auch erstmals auf tour nach europa bringen wird.

praise poems vol.1: gilles peterson (worldwide / brownswood rec.): one of my fave comps of 2015. praise poems vol.2: oliver korthals (mojo / out of spectrum on byte fm): extremely well put together track listing of artists which i have never heard before. left me with my mouth open... - highly recommend! praise poems vol.3: dom servini (wah wah 45s): this is incredible.

zuhören, genießen, glücklich sein: die wiedervereinigung des jahres. die vinyl-lp erscheint inklusive album-cd.

meda fury and emotional response are delighted to come together to present sad city’s long waited debut lp. after critically acclaimed eps for underwater peoples and phonica special editions, this stunning long player has been in gestation for years but arrives with perfect alacrity. the viny lp includes a download code for the full 10 track album.

dubmasters come back strong on their second release on our catalog, with a heavily road tested banger. 12 bar disco is a caleidoscope of surfed out guitar riffs, dubby chops and vintage pads over a funky 90’s manchester synth bassline, that has proven to shake dance floors around the globe. for this e.p. the original is taken on a slight dubbed out deviation with tape delays taking the foreground on the mix, cosmic pads and extended psychedelic breakdown, definitely a monster.

adult contemporary have always focused on meticulous production and manufacturing throughout the catalog history. this time no different in that regard, but the approach seems to have crossed over to the visual aspect of their ninth release, a glorious offering introducing artist invisibleland, as well as, a dazzling cover illustration synchronizing the entire package. the headlining lead track is astonishing itself. -six months of no rain- is a way of life in l.a. come every september which is when this multi-dimensional masterpiece lands.

few would challenge the claim that the 1960s and 70s have been the most fertile two decades in the history of popular music ever - a period which, regardless of genre, laid the foundations for everything that has followed. what is more, this period was so fertile that the speed with which tastes changed left a colossal amount of incredible music to gather dust - perhaps most famously a profusion of funk, soul and jazz. it was a musical legacy that lay mouldering until the rise of sampling in late 80s hip-hop precipitated a mad scramble for lost crates and suddenly, the music that became known as rare groove - for obvious reasons (it was rare and very groovy) - experienced a phoenix-like rebirth. a quarter of a century on and a million funk, soul, jazz-funk and rare groove compilations, re-presses and re-releases later, you d think that cupboard was bare and yet, even now, there are gems to be found. pt is re-releasing the rarest of cuts that often were originally only limited runs or private pressings and new compilation down & wired is just such a collection. always soulful, this features everything from mod groovers and northern stompers, to funky bumps and latin heaters. yet while the quality of all cuts is immediately apparent, only one of the eleven has ever been previously been compiled because when pt do rare, they don t mess around. in fact, if these tracks were steaks - they d still be walking around eating grass.

180gram vinyl release with full cover artwork
eclectic, raw, diverse and deeply driving - these 4 tracks are pure hypnotic hreno vibes. new life! that is what has inspired and influenced this ep on many levels. new life brings new inspiration and new energy often in beautifully diverse and unpredictable ways. everest. positivity throughout, heights, strength, light, potential and future instantly come to mind, when listening to these songs. we are happy to present hrenos second release on meander as the follow up of his well received 2012 frank barns record. 180g vinyl release, comes with fullcover artwork illustrating traditional indigenous art from borneo.

step forward andré abel and joana da conceição, the portuguese duo behind the long-running experimental act tropa macaca who had a brush with the alt-mainstream a few years ago in the shape of the ectoplasma single for daniel lopatin’s software label. seemingly absent since their 2013 lp, praga de urubu só pega em cavalo magro, abel and da conceição have been coaxed into appearing on the trilogy tapes. given the tone of vida, it should come as no surprise that tropa macaca are also set to perform at the upcoming meakusma festival

limited edition!! the 7th release from slow life, the first album by saverio celestri, italian dj and producer now based in berlin. e1 and f1 come only with the limited edition on extra 10 inch vinyl.

nu-disco hero 80s child has come a long way since masterworks vol 1, the inaugural release on his masterworks label a year and a half ago. now we have the follow-up and the second part revealing how the label s sound has grown featuring tracks by 80s child, osmose, doc jam & the silver rider. early support from : joutro mundo, osmose, vinyladdicted, 80 s child

lumberjacks boogie is back! phil gerus is a natural musical talent who oozes sound from every pore. fusing together cassette pop, house, soul, r&b and funk, his sounds are effortless but hugely emotive and have come on labels like sonar kolkektiv, manmakemusic, futureboogie, madtech and bastard jazz before now.

supported & played by steve o’ sullivan, xdb, julietta, lamache, st. joseph…
reduced and methodical housey techno from this new anonymous project out of portugal. in the same lineage as early cabinet records or tobias freund under his tobias. moniker, the duo apply the detail-oriented approach of a sound designer to classic dancefloor forms, each cut matching techno sensibilities with a levity that can only come from a love for the giants of 90s us house. flat, impassive kicks get lifted by skippy hats and claps, dubby synth backdrops are punctured by dramatic stabs (note the chez n trent flashes on the b-side), and under it all roams an ever-restless (sub-)bass that reaches right into your guts. the name may be routine, the effect is anything but.

despite his artist name and his trademark sound, steve murphy does not come from chicago, but from mira, a little town on the suburban area of venice. steve has been djing since 2001, and in the past years has been rocking almost every club in his region. he is serious and professional behind the decks: playing only with vinyl, he blends electro and house, techno and new wave, acid madness and pop appeal. steve has produced together with die roh an album (-the chasm-) and one e.p (-windy city-) on chiwax, and a solo 10- (-planet earth-) on rawax, these records have quickly gone out of stock and that have been acclaimed by the lovers of the classic warehouse sounds. in 2012 he has started the riviera project and has founded the muscle records label, together with lucretio, dj octopus, caio, madì grein and chevel. the label is a facility to spread what has been called -the sound of brenta-: a raw, nasty, machines powered clash of house and techno. in 2012 he also released -the dove ultimatum- on vae victis records, under the moniker of durant: an unfriendly 12- of distorted electro and funky acid beats produced with die roh and lucretio.

finish techno pioneer and dum records boss kimmo rapatti aka mono junk and melody boy 2000 is back with another fine ep of some of his greatest tracks. all three have been released before now, but never all together on the same ep. a1 sound stealer was released in 2007 under the melody boy 200 alias and since then has been hugely sought after, often fetching high prices on discogs. it is a high impact techno track with racing drums and chattery percussion that will take any floor by storm. a2 all alone, again as melody boy 2000, has only been released on cd before now, as part of a label compilation back in 2002. this one is deep and rubbery, spaced out and elastic and is full of moodiness and melody. both b-side tracks were written as mono junk and both were written in 1992. first up, apache acid came on vinyl own music man and is a face melting, hundred miler per hour banger with manic 303s buried within. finally, ‘beyond the darkness’ was a key early techno track to come from finland and has previously been released on dum010. says the artist of the track, “an ensoniq asr-10 arrived on the market and studio engineer perttu bought it right away, but i never liked to use sounds that someone else had made. we sampled the track’s bassline, strings and others from my jx-3p separately and mixed it all together.” the result is an atmospheric track with swirling pads, icy synths and form drums that will make people march, no doubt.

few would challenge the claim that the 1960s and 70s have been the most fertile two decades in the history of popular music ever - a period which, regardless of genre, laid the foundations for everything that has followed. what is more, this period was so fertile that the speed with which tastes changed left a colossal amount of incredible music to gather dust - perhaps most famously a profusion of funk, soul and jazz. it was a musical legacy that lay mouldering until the rise of sampling in late 80s hip-hop precipitated a mad scramble for lost crates and suddenly, the music that became known as rare groove - for obvious reasons (it was rare and very groovy) - experienced a phoenix-like rebirth. a quarter of a century on and a million funk, soul, jazz-funk and rare groove compilations, re-presses and re-releases later, you d think that cupboard was bare and yet, even now, there are gems to be found. pt is re-releasing the rarest of cuts that often were originally only limited runs or private pressings and new compilation down & wired is just such a collection. always soulful, this features everything from mod groovers and northern stompers, to funky bumps and latin heaters. yet while the quality of all cuts is immediately apparent, only one of the eleven has ever been previously been compiled because when pt do rare, they dont mess around. in fact, if these tracks were steaks they d still be walking around eating grass.

fortuna co-founder kalbata takes the controls for this new, middle eastern techno banger! al-shark is a banging arab farfisa excursion played frantically on an analog techno rhythm section. it s the first release from the fortuna camp which is not a reissue, but worry not, this could easily be an ancient lebanese proto-house experiment unearthed from a dusty reel.for the b-side kalbata takes things even further with a tribal relick of the original, placing us in a voodoo ceremony where ghosts of sinners come to dance. already on heavy rotation by gilles peterson and acid arab, this anthemic 12- is not to be missed! limited vinyl!

ron juan back at it on his own label after the last year’s debut with the sunny record “o pais do sol” and the stunning solo track “black jungle” released on the zurich’s deepart sounds label. now it’s the turn of “musica complessa”, a journey trough four exceptional tracks hand made in his studio combining jazz, funk, afro and house music. all the tracks come from original arrangements played and recorded with both real and synthetic instruments to create different sounds for the music world who don’t needs hits, but timeless music for his soul!

classic hip hop album, re-issue on 180gr

jo waddington puts into herves two-part album, filled with more of his infectious open minding staples alongside a selection of down-tempo gems.

nu-disco hero 80s child has come a long way since masterworks vol 1, the inaugural release on his masterworks label a year and a half ago.now we have the follow-up and the first of two parts it reveals how the labels sound has grown featuring tracks by marsupials, soultronic & kiu d, platzdasch & mystep.early support from: joutro mundo, osmose, vinyladdicted, 80s child

yoruba records is proud to welcome kevin reynolds to the family with his latest release fembehyahget. a student of detroits early underground techno scene, kevin delivers a line-up of transcontinental sound rhythms through the lens of this seasoned producer. kevins finely tuned engineer ear and his masterful dj touch come together to offer listeners an exploratory journey from the mind of a student of all genres of music

the time has come for another artful something vinyl. influenced by strong orbital gravity forces, stl aka stephan laubner transmits deep and moody generated soundwaves once again from his headquarter place out into the world. these 12 inches are able to maneuver eventful emotional vibrations from out of morphic fields and active surroundings, steep surely and on-target, straight home and interior. with three dimension-bending tracks, this release lifts off and comes in queue with, and on top of the existing vast beauty of the something catalog - which in abstract channels actually and already can give soulfood possibly forever. svs29 continues to hold on functional proven techniques and sense-intensities and includes besides genuine new never heard reality checking digs, some well known rare energy loaded twists, remastered today. it shouldn’t be unmentioned that this vinyl comes in limited quantities, and as usual in good shape with an unmistakable drowned tonal aesthetic, that will resonate deep & low till the edge of imagination. with a far visionated flair and an awareness for primary instincts, something vinyl series 29 is taking you through the hatch of space and time in order to make you feel, dance and excite your sweeping senses. now please enjoy and groove in!

following on from anethas ophiuchus ep last year, work them records founder spencer parker has compiled a remix package featuring himself and french techno stalwart antigone. a key component in the thriving parisian techno scene, anetha is a resident at monthly party series blocaus. spencer reworks drive with a dead girl, incorporating punchy kicks and shuffling hats before the originals mesmerising arpeggios come into effect. on the other hand antigone distorts black widow beyond recognition by blending fuzzy atmospherics with a cavernous 808 and glitchy hook. concluding the release is a bonus track from anetha herself titled traces to nowhere with its gloomy pads and squelchy melodies.

record 6 of 9 in playgroups “previously unreleased” series.

ubers latest offering is a sublime 5 track ep from french producer shelter. sailing on a black sea is a drifting piece of ambient electronica. late night stargazing on the deck with the waves gently lapping on the shore. sad beach continues with the layered textures with a little more of a percussive feel. through the desert land is shimmering mesmerising journey through the dunes with loose congas soft guitars and a hypnotic jews harp. seaport theme continues the coastal vibrations but with a touch of bounce and uplifting choral vocal stabs and louche pads. finally water plain closes the journey with kalimbas and xylophonic melodies and the contining theme of phosphoescent seas and soothing synth sounds. a very accopmlished slice of beach bar balearica destined for sunsets around the med for years to come.

der name des 10ten erasure albums ist programm: sie interpretieren die songs anderer künstler neu. 12 coverversionen räumen nicht nur andy bell die möglichkeit ein seine stimmlichen fähigkeiten auszuspielen, sondern lassen auch vince clarke die gelegenheit, die titel nach seinen vorstellungen gänzlich neu zu arrangieren. die neu-edition auf vinyl ist 180g schwer. bei der auswahl setzen erasure auf künstler die sie beeinflusst haben: buddy holly (-true love ways-), peter gabriel (-solsbury hill-), the righteous brothers (-you ve lost that lovin feelin -) und buggles (-video killed the radio star-). produziert wurde das album von gareth jones. mit einer top-20-postion in den deutschen charts war das album auch hierzulande entsprechend erfolgreich.

when trends in music can come and go in the blink of an eye, ten years is a long time to stay relevant, passionate and real on the frontline. from its roots in the parisian club scene by way of its spiritual home at fuse in brussels and so on to the globe-trotting, multi-faceted entity that it is today, lessizmore is living proof of how to do a decade right.

chances are you ve already danced to one of his sets at panorama bar – matthew styles has been a regular guest dj at the club for several years –, but you ve probably also come across at least one record with music that went through the englishman s meticulous hands. while matthew has released great but small numbers of 12-es on various labels since 2007, his credits in mixing, engineering and mastering exceed his solo discography by far. with the metro ep we re finally offering a full solo release by matthew styles on ostgut ton

when trends in music can come and go in the blink of an eye, ten years is a long time to stay relevant, passionate and real on the frontline. from its roots in the parisian club scene by way of its spiritual home at fuse in brussels and so on to the globe-trotting, multi-faceted entity that it is today, lessizmore is living proof of how to do a decade right.

when trends in music can come and go in the blink of an eye, ten years is a long time to stay relevant, passionate and real on the frontline. from its roots in the parisian club scene by way of its spiritual home at fuse in brussels and so on to the globe-trotting, multi-faceted entity that it is today, lessizmore is living proof of how to do a decade right.

filling the night with scars, the new release by our mainstay g&#322,ós marks the second installment on the ravage white series label. at the core of this release, g&#322,ós seems to build bridges between his ambient side on one hand and his thumping club music side on the other hand. especially the a-side covers the clubbier rhythmic vibe whilst the b-side conveys the more emotional vibe. like in the title track, he builds slowly and smoothly but he stays very precise in which acidic sounds come and fade. with this release, he finds a balance between the nostalgic anthem-like euphoria and a more darker and deeper narrative.

ltd pressing , following the frankly huuuuuge norsk tripping release we get another xl rune portion, this time on his own drum island imprint... disko romeiko, as the title may suggest is a stomping, campfire lit and admittedly unlikely culture clash of greek and norwegian music. a vocoder laced, up-tempo workout of norse disco technique and traditional greek melodies that is a surefire dancefloor delight. remixes come from rune collaborator in chief, oyvind blikstad, who pitches the vocoder vox front and centre and strips back the groove while amping up the drama. finally baz reznik opts for a rumbling, acid laced house take... quite a package

a negative hallucination is an idea that was first put forward by sigmund freud in 1890. he used the term to describe how a hypnotised person could be led to be unable to see a person or thing that was right in front of them once out of the hypnotised state, creating a gap in their reality. sadly, this gap in reality seems endemic in the minds of many in the world, whether from lack of access to facts or from wilful ignorance. the result is the same regardless: a world where many oppressed peoples reality is edited out of the conversation. noleian reusse (half of africans with mainframes) and thomas cox (one third of pittsburgh track authority) got together in the studio in pittsburgh during a week of extreme social unrest in the usa in late 2015, resulting in these recordings. the tracks are crafted with a stripped back electronic funk and a stark, relentless feel that reflects the energy in the air at the time. as long time fans of politically and socially charged music like public enemy, underground resistance, nwa, dopplereffekt, and gil scott-heron, noleian and thomas have taken these influences and mixed them with their own styles to come up with a modern dancefloor version of those ideals. lead track solidarity fills the whole a side with its optimism. soulful melodies and strings conquer the driving rhythms, bringing a sense that through sticking together, a better future is possible. the b side s perspective is darker. police state is a crazy raved out banger that combines gritty acid and harsh tones that channel the day-to-day existence for far too many urban people. the third and final cut, surveillance, is a paranoid, spacey techno track that would be ideal as a soundtrack for closed-circuit television video reels. this snapshot of urban life is tied together through artwork by andrew burger, whose mix of throwback style and current ideas nails the dystopian existence that is now reality as predicted so long ago by orwell, huxley, lucas, and many more.

redefine is the second single taken from trentemøllers new album fixion and features marie fisker on vocals. marie fisker, a mainstay of the trentemøller live constellation, has also been a long-time studio collaborator of anders and her four songs on fixion mark their third musical partnership. marie has such a powerful and unique voice that fits my music quite naturally. i had her in mind as soon as i started writing. she ended up singing on four of the songs so shes definitely the voice that kind of leads you through the album. having toured so extensively with marie, we ve come to understand each others capacities and that really pushes us to challenge and inspire each other. i reckon thats the driving force behind our songwriting.

bring the balance! gorge & markus homm join forces for their first 8bit collaboration and with each of them contributing own productions plus a joined feature, this ep has deep pressed right on. come into my life by homm hooks with rollin’ drums and a dirty saw bass to go along. don t give up is straight up gorge - combining evolving synths, fading delays and filtered vox into a deep club groove. balance brings together the best in both styles and delivers pure dance floor quality. a great premiere for this duo & rumor has it there’s more to come..

the main ingredient is the second album by pete rock & cl smooth, originally released in 1994. characterized by sultry soul and jazz samples, the album saw a more polished sound than the duo’s debut “mecca & the soul brother” movlp1633, building on the praise that they had already garnered. the main ingredient is notable for its snappy, crispy drums and extensive use of vocal scratches. it contains some of the duo’s best known work, in the form of tracks such as the upbeat “in the house”, and the catchy “sun won’t come out”, which features a lush vocal sample from the song of the same name by harvey scales.
pressing on 180 gram audiophile vinyl.

in a world without hope, a world with no appetite for sonic adventures, there s only one man who can save us all. he is... the sample jesus! from behind the enchanted pyramids of egypt comes a man that has nothing to prove but a lot to give. taught by a legendary pharaoh, he has lived the life of an eremite for decades. exhausted after years of asceticism there was only one goal on his mind: to blow all the misery out of our heads. on the constant search for the perfect sample he listened to the finest mongolian folk to experimental tuvan throat singings. it was only recently that he was returning from his self-imposed exile to come up with a record that hits deep in everybody s soul. hallelujah, house-heads and hip-hop-kids, be prepared. listen to the word of the sample jesus!

kevin saunderson, a driving force behind detroits rich musical heritage and lauded innovator of techno, returns to his own kms records to deliver another unstoppable club weapon under his e-dancer moniker - one nation. one nation begins its 6 minute journey with signature saunderson percussion and a pounding 4/4 flow that oozes peak-time energy. an eerie and funk tinged synth fills the space with an intoxicating refrain to keep feet stomping, which later trades centre-stage for a heavy and evolving bass line as the track continues on its path of ebbs and flows. this heater aptly demonstrates why kevin saunderson it still one of the hottest names in dance music. as suited for sweaty basements as it is festival main stages, one nation will surely feature in the bags of techno heavyweights for months to come.